Saturday, 21 June 2008

Portraits using window light


My camera bag is packed ready for today's wedding so I've been getting my eye in by taking some shots of Emily. Alas the weather forecast from yesterday was not accurate and it looks as if we're in for an overcast day with cool, dull light rather than the sunny intervals predicted. No problem though - a bit of fill-flash will liven things up.

For the shot above (1/100 sec at f/2.5) I used only window light. Since light levels are so low indoors today I had to set the camera to ISO 800 to get a reasonable shutter speed. I used Canon's 85mm f/1.2 lens (often described as the finest portrait lens ever made) which can be challenging to use for child portraiture as focusing is slower compared to other EF lenses and the minimum focusing distance is about 80cm - tricky if your subject keeps crawling towards you! Under these conditions you just have to accept that your hit-rate of pin-sharp shots is going to be lower than normal.

Check out more of my photography here: Kent photographer David Fenwick

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Friday, 20 June 2008

They're back!


I spent last week alone (and almost turned feral) but now my lovely ladies, Veronique and Emily, have returned. So a very brief post today accompanied by a photo of Emily in her cosy bathrobe from yesterday.

Off to a wedding at the Dog Inn in Wingham tomorrow and the weather forecast looks good!

Check out more of Emily's portraits here: Kent portrait photographer

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Thursday, 19 June 2008

Canon EF 15mm f/2.8 Fisheye Lens


My new Canon fisheye lens was delivered at the weekend. I intend to use it at weddings for scene-setting and group shots in cramped locations (I'll be using it at The Dog Inn in Wingham this Saturday), and for general interior photography. The shot above is of The Guildhall in Sandwich and illustrates the extreme barrel distortion that the lens causes. This can be corrected in Photoshop to give the picture equivalent of an ultra-wide 12mm lens. Distortion is minimised on vertical and horizontal lines which bisect the frame (notice the flag pole above) so if you're shooting a landscape, and want to keep it looking relatively normal, place the horizon in the centre. However, the distortion is key to the appeal of the lens for me.

A couple of downsides which come with the fisheye territory. In areas of contrast within the shot, chromatic aberration is very noticeable (you may still notice a little in the top left hand corner above - this is after correction in Lightroom). Also, the lens cap does not clip into place and is easily removed - care is required when storing the lens in your camera bag.


The convex surface of the lens means that filters cannot be used (I keep B+W UV filters on all my other lenses). Of course not having a filter on the lens reduces the chance of flare, as demonstrated perfectly by the shot above where I shot almost directly into the sun - there are only a couple of small flare spots (pentagonal due to the 5 aperture blades in the lens).

My first impressions with this lens are favourable. Image quality is excellent and the lens is compact and light (a nice change from lugging a 70-200m f/2.8 L IS lens about).

Check out my photography here: Kent portrait photographer

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Wednesday, 18 June 2008

The Canon Rumour Mill

You'll find many websites claiming to have inside knowledge regarding future Canon releases (here's a link to Canon Rumors if you want to indulge) and some even go so far as to create new images of the equipment using Photoshop! It obviously appeals to the male-brain obssession with new kit, and reflects a healthy level of enthusiasm, but, as I'm sure most people do, you need to treat it all with a huge amount of scepticism - any insiders found leaking intellectual property information from Canon would quickly be shown the door.

Still, it is quite fun to speculate what the future of digital photography could hold. Imagine if digital sensors could capture the tonal range of the human eye and you didn't need to concern yourself with the concept of exposure, or have knowledge about the situations in which cameras struggle. This would make photography more accessible to everyone and remove the importance of specialised technical knowledge. It would move the emphasis to the 'art' of photography - surely a good thing?

Check out my photography here: Kent photographer

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Tuesday, 17 June 2008

In praise of Blogger

What a great webtool Blogger is. Really easy to use but packed with functionality - they'll even host your blog for you if you don't have a website. Particularly useful as the blog becomes more extensive (I've now posted 62 articles over 2 months) is the search box in the top left-hand corner of the screen - this allows you to scan all of the posts on this site. If you've got something to share get yourself a blog!

Google offer lots of free utilities with fantastic functionality - Webmaster tools and Analytics complete my top three. I just hope they continue to be free and that Google isin't creating an army of dependent users!

Check out my photography here: Kent photographer

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Monday, 16 June 2008

Sensor cleaning


DISCLAIMER: The only method Canon recommends for sensor cleaning is using a Giottos-type air blaster. Any other will invalidate your warranty. The following procedure carries the risk of sensor damage.

There are many advantages of the digital format over film but one angst-inducing problem that goes with the territory is sensor dirt. Even though I keep all my lenses very clean and exercise caution when changing lenses on my Canon EOS 5D, dust and dirt manages to sneak in, and I have to clean the sensor about every 6 months. There is risk involved with this procedure but I don't want to be sending my camera back to Canon for a clean every time. Shown above is my cleaning kit - a Giottos Rocket Air blaster, a 12-pack of Sensor Swabs (type 3 for the 5D) and Eclipse E2 cleaning fluid (for tin oxide coated sensors such as the 5D) - it cost me about £55 in total.

Most digital SLRs have a sensor cleaning mode which will lock the mirror up and open the shutter curtain to give you access to the sensor. Always make sure your batteries are fully charged before attempting this - if power fails the shutter will try and close. The air blaster should be your first port of call since you don't need to come into contact with the sensor. Hold your camera with the sensor facing the floor (so that gravity is on your side) and blast it with air - keep the tip of the blaster outside the body of the camera. This will remove any loosely attached pieces of dirt and may solve your problem. If you want to check if this is the case, take a shot of a plain-coloured surface with your lens stopped down to its smallest aperture. You can then import the shot into Photoshop and play with contrast and levels to enhance any specks in the image. Bear in mind that this is a very stringent test and most sensors will probably look dirty - is the dirt really an issue? Use your camera with typical settings for a few shots - can you see any specks? If you can and the images require clean-up in Photoshop then you may want to proceed to the next step.

Some dust seems to get welded to the surface of the sensor or, more accurately, the low-pass filter which covers the sensor, and no amount of air-blasting removes them. The sensor swabs are lint-free pieces of material attached to plastic paddles that are assembled in a clean room - buy the type that matches your sensor size. The E2 cleaning fluid is ultra-pure methanol or ethanol which leaves no residue on the sensor. In combination they reduce the likelihood of you introducing further contamination, increase the chance of you cleaning the sensor first time and reduce your stress levels. Like many things in life, the procedure is not risk-free. You wet the swab with a couple of drops of cleaning fluid, carefully bring the swab into contact with the sensor, and then sweep the swab over the surface (full instructions come with the pack). I had to use a couple of swabs on one occasion when my sensor was very dirty but it did the job.

If you don't feel confident about this, you can always send your camera to Canon to be cleaned.

Check out my work here: wedding photographer in Kent

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Sunday, 15 June 2008

Sandwich, Kent

The sky was fantastically moody here in Sandwich yesterday so I popped out for an hour with the 16-35mm lens and a tripod for some high dynamic range shots. Great fun!






See more of my photography here: Kent photographer

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