Friday, 11 July 2008

The sofa surfer



Just a quick post today with a couple of shots of my lovely daughter Emily. She's almost one (that went quickly!) and has just started to tentatively 'sofa surf'. Time to lock my camera equipment safely away.

I'm off to St Francis Church, Ashford tomorrow to photograph the wedding of Matthew and Tanya. Photos will be posted on Sunday.

See more of my photography here: wedding photographer in Kent

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Thursday, 10 July 2008

Exposure values (EV)


I need to introduce the concept of exposure values (EV) for some forthcoming posts. EV is an absolute measurement of the light quantity required to give a correct exposure at a specific ISO speed (it depends upon aperture and shutter speed) - though most charts only give these values at ISO 100 (these are then also known as light values). It's useful to be able to refer to the amount of light using just one variable rather than a combination of aperture and shutter speed. In the table above EVs run from 0 to 24 (they can be negative as well). The scale is based upon stops of light - ie doubling or halving of light. For a given EV there are many combinations of aperture and shutter speed which can be used to make a correct exposure.

Some examples of EVs to help you get a feel for the scale:

EV 17 white object in full sunlight
EV 15 noon daylight
EV 13 bright, cloudy days
EV7 indoors
EV -5 scene lit by the moon

Knowing the amount of light in a particular lighting scenario allows you to construct guidelines, such as the 'sunny 16 rule' - on a clear, sunny day set your camera at f/16 and the shutter speed to 1/ISO setting - this equates to a constant EV of 15.

You'll also see these values in the technical specifications in your camera manual. For example, my Canon EOS 5D autofocus system works in the EV range of -0.5 to 18 EV.

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Wednesday, 9 July 2008

Photoshoot at Pfizer, Sandwich, Kent








I did a photoshoot at the pharmaceutical company Pfizer in Sandwich, Kent yesterday for the Royal Society of Chemistry. The day was set-up to encourage young people to pursue a career in science - a noble aim. Light levels were low so I opted for ISO 1600 or 3200, with post-processing in Neat Image to remove noise. I decided not to use a flash as I wanted scenes lit evenly.

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Tuesday, 8 July 2008

Canon EF 85mm f/1.2 L II USM lens


Canon's best lenses are given the L-designation (an abbreviation for luxury I believe). They have excellent optics, superb build-quality and cost an arm-and-a-leg. If you're doing photography professionally, however, they are well worth buying. They hold their value well, unlike camera bodies, so you can recoup most of your money if you regret your profligacy at a later date! A terrific value starting lens is the 70-200mm f/4 L lens - be warned, though, it's a slippery slope. Once you see how good your shots are - in terms of sharpness, contrast, colours and pure visual impact - it's hard to go back to non L-series lenses.

For this post I  wanted to briefly discuss the 85mm f/1.2 L lens - for a full review visit the excellent digital-picture.com. Canon describe it as their "definitive portraiture lens" (it's very popular with wedding photographers) - for a discussion on why this focal length is ideal for portraits see my earlier post 'Perspective and portrait lenses'. With a maximum aperture of f/1.2, this is the fastest lens that Canon produces - the more light a lens allows in, the faster the shutter speed you can access for a given level of light. Working down through the full f-stop sequence (1, 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22 - multiply by the square root of 2 each time), each aperture allows in twice as much light as the previous one. Fast L-series zoom lenses have a maximum aperture of f/2.8 - f/1.2 is a huge 2.5 stops faster than this. Coupled with ISO 3200 on an EOS 5D and the low-light capability is truly astonishing. This wide aperture also gives incredibly shallow depth-of-field and leads to wonderfully out-of-focus, diffuse backgrounds - an effect known by the Japanese word bokeh (pronounced bo-ké). As a result, your focusing must be very accurate. The optical quality of the lens is just fantastic (this is purely a subjective description, I haven't run any tests on the lens) - the shot of Emily above could be printed at A2 and still look great.

The downsides? It's very slow to autofocus in comparison with other Canon USM lenses, the closest focusing distance is 0.95m (though this can be improved using extension tubes) and, the really bad news, it currently retails for £1249 in the UK. Not the first L-series lens you should be buying but a very worthwhile addition if you shoot weddings and portraits.

Check out more of my photography here: wedding photographer Kent

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Monday, 7 July 2008

Feedback from Saturday's Wedding


Linda and Michael just popped round to collect their 3 wedding DVDs (638 high res JPEGs, B&W treatments and presentation disc) - tired but very happy. Getting married is hard work, as the shot above demonstrates! Whilst here they left me with their feedback:

The photos are absolutely stunning and a really great mix too. We loved wandering off for the bride & groom photoshoot - it was the only time we had to ourselves all day! A lot of our guests were very impressed with your approach and attitude and have asked for your details - they compared you very favourably with other wedding photographers they've seen in action recently. You inspired trust and confidence in us - you delivered exactly what you described at our pre-wedding meeting. Many thanks once again.

Linda and Michael Powell

Thank you Linda and Michael. It's great to have such satisfied clients.

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Sunday, 6 July 2008

Wedding at The Three Tuns, Staple, Kent











A selection of images from Michael and Linda's highly entertaining wedding at the Three Tuns in Staple. There was scarcely a cloud in the sky (after rain had been forecast!) and, as a result, the sun was merciless. We managed to find a shady spot for the group photos and these were lit using flash. Like all charming country pubs the interior of the Three Tuns was quite dark, and so it was diffused flash all day, with plenty of opportunities for wireless off-camera lighting. My poor old Speedlites were glowing by the end of the day.

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